MONO PRINT
&
SILKSCREEN


Night Chase, mono print 1 of 3 
The Ascention to... silkscreen 1985

 Silkscreen, landscape

Printmaking - 1984-1990

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About this work:
The processes of printmaking has had a big influence in my other work in painting, installation and even photography. Everything from the layering or removal of layers to cutting out shapes to make large lino block prints and the development of imagery has had a positive influence on the way I work in other media. At times printmaking can be painfully slow and disappointing if things don't come out quite the way you had imagined. At other times the mistakes can lead you into totally new realms. I discovered this one day when I left some plates in the deep bite acid bath too long and came back to find all the edges gone. Worked out perfectly for me and led me to making the lino block prints where I would cut the shape out and lay it on the press and ended up with all this gorgeous white space around it. Compare East Coulee I with East Coulee III and you will know what I mean.

visual art.prints

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Lino Blocks

Mono Print &
Silkscreen

Photo Etchings &
Intaglio


Lithographs






Studio Pictures

"Family Studies, III" 1989, photo etching
Night Chase, intaglio

 

"East Coulee Residue I", 1988, Lino BlockEast Coulee Residue I

 

"East Coulee Residue II", 1988, Lino BlockEast Coulee Residue II

 

"East Coulee Residue III", 1988, Lino Block
Night Chase, mono print 1 of 3

 

"Night Chase" lithoplate monoprint, 1988Night Chase, lithoplate mono print

 


Untitled Lithograph, 1987
lithograph

 

"The Ascention to...." 1984, silkscreen
The Ascention to... silkscreen 1985

 

Untitled silkscreen, 1984
Silkscreen, landscape

 

"Night Chase" 1989, intaglio etching
Between the Lines

 

"Family Studies, I" 1989, photo etching
Between the Lines

 

"Family Studies, III" 1989, photo etching
Between the Lines

 

Untitled Lithograph, 1987

Between the Lines

 

Untitled Lithograph, 1987

Lithograph